The Monkey's Song to the Traveller
        Jenny Jackson
        Email: jjfiction@yahoo.co.uk
         
        I
          was new to the city, new to the country, and the first thing I saw as I stepped
          off the train was a monkey, sitting on a small electronic piano in the middle
          of the crowded station. It was the kind of
            thing David would've dragged me away from - David with his guide books,
          and his safety-first, and his list of things-to-see - but I'd left David silent and seething in another town, another
            country, eight hours ago, and I was on my own now, so I headed towards
          the monkey and his piano, and when I was close enough I reached out a hand.
        'Hello,' I said, but the monkey only looked at me, and deep in its
          black eyes I saw a sadness, as if there were things in the world that would
          never be fixed. 'Don't worry, little monkey. Everything's okay,' I whispered,
          but even as I spoke them, I recognised the
            words as the kind of platitude that David would use whenever there was a
            problem. Well, I'd left him now, and everything would not be fine. At
          least not for a while. And to lie - even if
            only to a monkey - felt wrong.
        'Monkey
          speaks no English, lady,' said a voice and I turned to see a man approaching. He was small, dirty, ragged, his face
            was cut by old scars, and his neck like a turtle's, peeping out of his
          heavy coat. He sat down at the chair behind the small piano and rested his
          dirty hands on the plastic keys, not moving his fingers at all. He didn't quite
          look at me, but his black eyes seemed to hold the same sadness. 
        'Hello,' I said, and when he didn't reply, 'What's his
          name?' 
        'Monkey has many names,' he said, coughing as he spoke. ‘Today,
          Togo.' 
        I
          turned back to the monkey, who had been paying no attention whatsoever to the exchange. Togo,' I said, 'Why so sad?'
        'His sister dead,' said the man. 'Jumped from bridge. Water.' He
          coughed again. 'Dead.'
                
       
      
        The lights of the station reflected in the
          black of his pupils and for a second it seemed that he had his monkey's eyes
            rather than his own.
        'It's
          a hard thing, to lose someone,' I said, not really knowing where the words came from. I was concentrating on the man's eyes,
            his monkey-eyes, and looking back and
              forth between the two of them - monkey and man - to see if the resemblance was just
          a trick of the station lights.
        'Hard?'
          snapped the man.
        'You're right,' I said quickly. 'I wouldn't
          know.' I didn't want to discuss my own sadness. Not with some monkey-man.
        'You
          don't know death?' he asked, and there was a smile now, tight and cruel.
        'No,
          ' I said quietly. 'But not only death causes sadness.' But he wasn't listening.
        David would have dragged
          me away from this man and his monkey. If he'd been with me we would've been en route
          to some comfortable room in a mid-range hotel by now, checking out the list of
            things-to-see for the next day.
        But David was waiting for me in another
          city, waiting for me to come to my senses and come back. He was waiting,
            perhaps full of regret, of apologies, of won't-happen-agains, and I was here
            with a mad old man and a monkey.
        The man coughed again. He was flexing his grubby fingers, the
          knuckles cracking, and suddenly he looked
            at me with eager eyes. 'Togo sings,' he said quickly, as if death,
          drowning and Togo's sister were forgotten about.
        I
          laughed at the absurdity of the whole situation. 'Really?'
        'Big world. Many things,' said the man,
          'Death. Monkeys sing. Many things.' And for the first time his voice had
            some warmth to it.
        I took a step closer to the piano.
        'Poor,' said the man, prodding himself in
          the chest. He coughed again and held out a tiny,
            grubby hand. ‘Togo's song is good song.'
                  
       
      
        'Some
          things are worth paying for,' I said.
        I could see that the plastic keys of the
          piano were grubby from his fingers, but only certain keys were marked,
            while others were white, almost gleaming.
        'You
          only know one song?’
        'No,' said the man. 'Many songs. Togo, only one song.' And with
          that, he began to play.
        I didn't recognise it. The notes came slowly, in
          waltz-time, and the man closed his eyes as he played. For long periods,
            Togo sat, staring at a space beside him, utterly still, utterly silent, but
            there was one refrain that the man played repeatedly, and each time that point
            of the song was reached, Togo began to sing.
        It was a sound almost entirely like a human's singing
          voice, only Togo used no words, and the sound he made was stretched out over three
            descending notes, repeated three times in
              sequence - so-re-siii, so-re-siii, so-re-siii.
        I stood still as the man played and Togo
          sang. People all around rushed for their trains, and no one seemed to be
            taking any notice of the man and his piano, or Togo and his sad song. But I couldn't take my eyes away from what was
              happening in front of me.
        As Togo sang, the little man seemed about to cry, but his hands
          busied themselves with the keys, and no
            tears came. I was hardly breathing; I knew that to move would be to stop
          the song, and the sound was much too fragile, much too precious for that.
        Eventually, as the pace of the song slowed,
          and the volume decreased, both the man and Togo looked up, as if for
            approval.
        ‘That was beautiful.'
        'Beautiful.
          True,' said the man.
        ‘Tell
          me,' I said, taking out my purse. 'Why does Togo only sing part of the song?'
                
       
      
        'For two,' said the man, and for the first
          time, he reached out a hand and stroked the monkey on its head, slowly,
            gently. 'A song for two monkeys.'
        'It must have been incredible when Togo and his sister
          sang together.'
        'Incredible,'
          said the man, savouring the syllables. 'But also beautiful today?'
        'Yes,' I said. 'It was. Beautiful.'
        'I know,' said the man, caressing Togo's
          head as if he was trying to convince him. 'Beautiful.'
        I handed over some money - David would've baulked at the
          amount - but the man didn't count it. He didn't even look at it. I reached out a
            hand again, and touched Togo gently on the
              head, but he didn't react. He was watching the people rushing past, and
            when I looked at the man, he too was looking away, waiting for the next person
            who might want to hear a monkey sing.
        ‘Thank you,' I said, and I walked away
        Suddenly,
          I was alone again in a city I knew nothing about, and David was left with his guidebook and his itinerary, miles away.
            The monkey had lost its sister, and the man just wanted another
          customer, but I was lucky: I had heard the song of a monkey, and that had to be worth something.
        ©2007 Jenny Jackson 
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